Saturday, September 24, 2016
Stand Your Ground: Black Bodies and the Justice of God - Chapter Four - A Father's Faith: The Freedom of God
I am very appreciative of the information Dr Douglas writes about the function of music in Black Faith. "Music allowed the captured and enslaved Africans to speak to one another across the barriers of their indigenous language and dialects that their enslavers did not respect" (pg 141). The music allowed for the transfer of information, the learning of language, and the expression of hopes and fears. It also allowed the enslaved to sing about the God they already knew from their homeland, a God that was free and demanded the freedom of everyone. This was not the same God that was preached to them as enslaved people by white preachers. The God of Home was a God who called them into being the fulness of who they were created to be (pg153). Home was a free and safe space to fully be who God created them to be.
The discussion of the people who already inhabited the Promised Land is deft and challenging. It allows for the God of Freedom to call the oppressed Home, while leaving space open to say that Home might already be occupied. Dr Douglas does not condone the acts of violence that might be attributed to God that clear out Home for others. She specifically names Native Americans again and their losses to the Manifest Destiny war.
Black Faith, as explained by Dr Douglas, does not blame God for injustice, but rather assumes that God prefers and gives strength to everyone who opposes the injustice and protests for justice.